Martin is best known for his calligraphic scribbles in grayscale voids. Over the past decade, Martin has developed an unmistakable aesthetic combining abstract movement with figurative stencilled compositions. His works can be seen to mirror the rise and fall of the streets, as he symbolically recreates the urban environment, then vandalises it to reveal his vibrant transformations.
Growing up in Oslo, Norway, Martin was an active part of the emerging graffiti scene of the late 90’s which at the time maintained zero tolerance. The physical architecture of the city was a constant inspiration, the elaboration and destruction of each generation contributing to the urban infrastructure. The same deconstructive processes can be seen in his creative influences of Jose Parla and Cy Twombly. In the early 2000s, this interest in layers became more literal with the introduction of stencils into his work. The evolution moved him closer to a simple yet effective aesthetic he believed could bridge the gap between the passion and spontaneity Graffiti held for him, with the fragility and transience of nature. This balance would come to define his creative approach.
Martins work features with festivals, projects and walls globally. His original work can be found in private collections and institutions with solo exhibitions featured in cities from Tokyo to LA, London to New York.