Laurence Stephen Lowry, R.A. (1887-1976)
Landscape with Farm Buildings, 1974
Offset lithograph on wove paper, after the original oil painting from 1954 of the same title
Signed ‘L.S. Lowry’ lower right in pencil
Stamped by the Fine Art Trade Guild and numbered from the edition of 850
Published by Venture Prints Ltd.
Size: 17 x 21 in.
Provenance Private Collection, U.K.
Condition: Excellent
The present work, "Landscape with Farm Buildings," is a testament to L.S. Lowry's distinctive style, depicting the rural outskirts juxtaposed with the looming presence of industrial structures. Created in 1955, this piece was initially presented to the public at the Salford Art Gallery during the same year. It stands as a profound reflection of Lowry's artistic vision, capturing the transition between rural tranquillity and the encroaching industrialization that characterized the era.
The painting offers a unique perspective, where the bucolic charm of the countryside intersects with the industrial might of the nearby city, a recurring theme in Lowry's oeuvre. It showcases his skill in blending the pastoral with the urban, highlighting the stark contrasts that define the English landscape. Lowry's ability to capture the essence of this dichotomy is further exemplified in this piece.
This artwork is significant not only for its artistic merit but also for the narrative it carries. It represents a period of change, where the pastoral fields and farm buildings of yesteryear stand in the shadow of the industrial revolution. The factories depicted in the background, with their towering chimneys, signify the irreversible shift towards modernity that swept across the country in the 20th century.
Lowry's commitment to showcasing the evolving landscape can be seen through his consistent attention to detail, particularly in the way he portrays the people and structures within his compositions. His unique technique of using a limited palette to elicit a strong emotional response is evident in "Landscape with Farm Buildings," where the interplay of light and shadow, as well as the inclusion of figures, adds depth and life to the scene.
The painting also serves as a historical document, offering insights into the societal changes during the mid-20th century. Lowry's choice to include both the remnants of the past and the symbols of progress reflects his deep engagement with the world around him. This piece is not just a depiction of a place; it encapsulates a moment in time, preserving the memory of an England that was at the crossroads of tradition and modernity.
Lowry's artistic vision is captured in his own words. He once remarked, "I am not a Sunday painter," underscoring his professional dedication to his craft. Despite the apparent simplicity of his work, Lowry's art is complex and layered, inviting viewers to delve into the narrative and explore the underlying themes. His portrayal of landscapes like the one in "Landscape with Farm Buildings," offers a candid and unembellished view of the world, challenging perceptions and prompting reflection on the profound impact of industrial growth on the rural landscape.
