Marc Chagall
Rencontre de Ruth et de Boaz; (The meeting of Ruth and Boaz) , 1960
Lithograph
52 x 38 cms
Original lithograph in colours, 1960 ,
on Arches paper, signed by the artist in pencil
HC from the edition of 50.
Condition Excellent
Protected with Museum grade glass, French cut acid free mounts and framed.
In the painting, Chagall employs his signature vibrant colours and dreamlike imagery to convey the emotional depth of the narrative. The figures of Ruth and Boaz are depicted in a tender and intimate embrace, symbolizing love and connection. Surrounding them are elements that reflect Chagall’s Jewish heritage, including motifs and symbols that resonate with themes of faith and community.
This painting is a beautiful example of how Chagall's art transcends mere representation, infusing it with personal and cultural significance, making it a cherished piece in his oeuvre.
HC from the edition of 50.
Condition Excellent
Protected with Museum grade glass, French cut acid free mounts and framed.
The story of Ruth and Boaz is a well-known biblical narrative from the Book of Ruth in the Old Testament. Ruth, a Moabite widow, stays loyal to her Jewish mother-in-law, Naomi, after their husbands die. To support Naomi, Ruth gleans in the fields, where she meets Boaz, a wealthy landowner and relative of Naomi. The story unfolds with themes of kindness, loyalty, and divine providence, ultimately leading to Ruth becoming the great-grandmother of King David.
In the painting, Chagall employs his signature vibrant colours and dreamlike imagery to convey the emotional depth of the narrative. The figures of Ruth and Boaz are depicted in a tender and intimate embrace, symbolizing love and connection. Surrounding them are elements that reflect Chagall’s Jewish heritage, including motifs and symbols that resonate with themes of faith and community.
This painting is a beautiful example of how Chagall's art transcends mere representation, infusing it with personal and cultural significance, making it a cherished piece in his oeuvre.
Original lithograph in colours, 1960 ,
on Arches paper, signed by the artist in pencil
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