Laurence Stephen Lowry, R.A. (1887-1976)

The Harbour, 1972

Offset lithograph on wove paper, after the original oil painting from 1957 of the same title

Signed ‘L.S. Lowry’ lower right in pencil and numbered from the edition of 850

Stamped by the Fine Art Trade Guild

Published by Venture Prints

Size: 18 x 23 in.

Provenance Private Collection, U.K.

Condition: Excellent

L.S. Lowry, renowned for his depictions of industrial scenes, often found inspiration along the Cumberland coast through his association with fellow artist Sheila Fell and his friendship with collector Helen Sutherland, who resided in the area. One of his notable coastal works, "The Harbour," illustrates Lowry's departure from his typical urban landscapes, capturing the serene atmosphere of Maryport. This deviation from his usual subject matter was well-received, demonstrating his versatility as an artist and his ability to convey the tranquil essence of the seaside.

"The Harbour" is characterized by its architectural focus, with buildings, harbour elements, and boats composing a detailed scene that captures the essence of the location. The painting embodies a sense of timelessness, with its depiction of the waterfront and the rhythmic movements of the sea. It portrays a different aspect of British life, away from the hustle and bustle of the industrial city, and reflects Lowry's capacity to represent the varied landscapes of his homeland.

Unlike his industrial scenes, which are often bustling with activity, this work conveys a sense of leisure and relaxation. It invites viewers to experience the simple pleasures of a seaside town, such as the joy of a boat trip on calm waters. Lowry's portrayal of the leisurely pursuits of the townspeople suggests a fondness for the quieter moments in life.

Lowry's engagement with the Cumberland coast was more than just a passing interest; it was a significant part of his life, particularly in later years. His frequent visits to the region allowed him to explore beyond his typical industrial settings, offering fresh perspectives and subjects for his art. Despite being known for his depictions of urban life, Lowry also had a deep appreciation for the charm of rural towns like Maryport, Lytham St. Anne's, and the Fylde Coast, which he often depicted in his works.

The creation of "The Harbour" coincided with a pivotal moment in Lowry's personal life, as it was in 1957—the same year he painted the piece—that he made the significant decision to care for his ailing mother. This period marked a shift in his life and art, as he began to more deeply explore the landscapes and scenes of the northern coast.

After his mother's passing in 1939, Lowry's connection to the Cumberland coast continued to grow stronger. He developed a close friendship with Carol Ann Lowry, who, despite sharing his surname, was not related to him. He became her tutor and mentor, and upon his death in 1976, Lowry left a significant portion of his estate to Carol Ann, acknowledging the profound impact she had on his later years. This relationship underscored Lowry's affection for the region and its influence on his life and work.