James Green

Works
  • James Green, Keeper
    Keeper£ 11,595.00
  • James Green, Crucifix
    Crucifix £ 11,250.00
  • James Green, Happy Shopper
    Happy Shopper£ 3,950.00
    James Green, Happy Shopper
    £ 3,950.00
  • James Green, ADHD
    ADHD£ 10,950.00
  • James Green, I can't save ya (man with pipe)
    I can't save ya (man with pipe)£ 5,890.00
    James Green, I can't save ya (man with pipe)
    £ 5,890.00
  • James Green, Voiture,
    Voiture,£ 11,250.00
  • James Green, The Kneeling Horizon
    The Kneeling Horizon£ 12,850.00
  • James Green, The Buskers
    The Buskers
  • James Green, Under Arrest
    Under Arrest£ 1,250.00
    James Green, Under Arrest
    £ 1,250.00
  • James Green, These clouds are mine (Man with pipe)
    These clouds are mine (Man with pipe)£ 5,890.00
    James Green, These clouds are mine (Man with pipe)
    £ 5,890.00
  • James Green, A life really lived (Pianist), 2025
    A life really lived (Pianist), 2025£ 7,795.00
    James Green, A life really lived (Pianist), 2025
    £ 7,795.00
  • James Green, With Balance, 2025
    With Balance, 2025£ 4,650.00
    James Green, With Balance, 2025
    £ 4,650.00
Biography
“Give me the chaos - mistruths, failed gestures, contradictions dressed as clarity - that doesn’t ask to be fixed. The noise with no chorus, the moments that mean nothing and move you anyway" - James Green

Labelled as Saatchi’s ‘One to Watch’

 

James Green, also known as The Artful Green, creates bold, instinctive works directly on raw, unstretched canvas, painting without premeditation or pause. 

 

For him, art isn’t a performance or a product - it’s survival. He struggles to see his work leave the mess and meaning of the studio for the clean, distant neutrality of the gallery. Often irregular, his canvases still bear the marks of their making - staples from woodland walls, raw edges left untrimmed. Each piece remains tethered to the place and impulse that birthed it.  

 

Green paints for clarity. Without it, the day doesn’t make sense, or certainly loses shape. He mistrusts the word ‘art’ - three letters heavy with assumption. To him, art is not really about art at all. It’s about life. Like ancient hands on cave walls, he marks his presence. Quietly. Restlessly. Refusing the polished grammar of social media and the artificial theatre of the algorithm.

 

He won’t stage a version of himself for the world. No formal statement. No curated feed. Just the work, and the desire to meet someone who sees something real in it. 

 

Now, we find ourselves in the curious position of presenting an artist who, with deliberate distance, considers himself fundamentally “unknowable” - a figure on his own terms in quiet retreat, orchestrating his own slow vanishing.

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